It is a well known fact that the discoveries
of new destinations has always been accomplished with human mistakes and
shortcomings – as for Columbus the discovered continent of America, was India,
which he desired to visit. Marlowe
reminds of this tendency in his play, and Francis Bacon invents his metaphor of
“idols” to refer to such causes of human error.
In the first
book of Novum Organum Bacon discusses the causes of human error in the
pursuit of knowledge. Bacon defends the new
studies against those who considered them to be a poison to one’s soul, but he
also insists on the unmistakable understanding that can not accept any
exaggeration. “The human understanding is of its own nature prone to suppose
the existence of more order and regularity in the world than it finds,” (XLV.1-2). In The Advancement of Learning the
philosopher emphasizes the same issue of danger in knowledge for those, who
were not trained enough, for they can easily adopt heresy or can think that
“nature’s chain needs be tied to the foot of Jupiter’s chair”.
Bacon
distinguishes four idols, or main varieties of the error. The “idols of the
tribe” are certain intellectual faults that are universal to mankind, or, at
any rate, very common. One, for example, is a tendency toward
oversimplification that is that there exists more order in a field of inquiry
than there actually is. The “idols of the cave” are the intellectual
peculiarities of individuals. One person may concentrate on the likenesses,
another on the differences, between things. The “idols of the marketplace” are
the kinds of errors for which language is responsible. The fourth and final
group is the “idols of the theatre”, which are a mistaken systems of philosophy
in Baconian sense of the term, in which it embraces all beliefs of any degree
of generality.
John
Donne said in his Anatomy of the World that “new philosophy calls all in doubt” (205) and “no man’s wit /Can well
direct him” (207-208). “Wit” is a
Renaissance metaphysical term for either similarity, or difference, which are
used by Bacon in his Idols of Tribe.
Here we see the poet’s attitude toward the modern Renaissance philosophy
which is very critical. Bacon insists on
man’s inability to distinguish between truth and false, and the poet is
absolutely sure that man is an independent individual, a “phoenix”, who is able
to take decisions without anyone’s help. Poets and philosophers have been known as
irreconcilable opponents for centuries. We
can easily recognize a similar situation in ancient Plato and Aristotle; poets
would still withstand the philosophers’ siege during Renaissance, where we see
Bacon and Donne. Yet but still, they
have at least a small amount of similarity in their works and ways of thinking
– they write for man and about man. Both
of them insist on discoveries and the gaining of new knowledge, which will make
man more and more powerful and wise.
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